Archive for the ‘Dublin’ Tag
I’ve been meaning to write about these guys for yonks. Overhead, The Albatross are a Dublin based post-rock six-piece. If there’s one thing Ireland isn’t short of its post/math rock acts. From international giants like God is as Astronaut and And So I Watch You From Afar to the likes of Halves and Enemies, we’re well stocked when it comes to instrumental rock acts.
What I can’t understand is why Overhead haven’t made a bigger impression. Their debut EP Lads With Sticks is riddled with big cinematic crescendos, the likes of which Explosions In The Sky and This Will Destroy You have championed for years. And having seen them live for the first time when they rocked the Pavilion in Cork earlier this summer, I can vouch for their live presence. The end of ‘Footprints in The Bloodsaoked Snow’ was a genuine hairs standing on the back of your neck moment.
Even if you think you’ve heard it all from the Irish post-rock scene give Overhead, The Albatorss a listen.
So here’s another new Irish artist to add to the list. I have to concede I know very little about Dublin’s Frank Sweeney aka Bingo but this track ‘Bee’ is outstanding. Like MOTHS, Bingo has honed an ultra-contemporary electronic sound. ‘Bee’ includes samples from Destiny’s Child’s ‘Say My Name’ and has more than a hint of James Blake’s post-dubstep anthem CMYK.
It basically couldn’t have been a bad gig. I mean, it was Baths and Solar Bears. On a personal level Cerulean was by a distance my favourite album of 2010 while She Was Coloured in took the honour of favourite Irish album of the year (how it evaded Choice Music Prize nomination I’ll never know). Dublin’s funky Workman’s Club was suitably busy for such an appetising line-up and on entry the danceable beats of Solar Bears were audible. An infectious case of head nod swept across those assembled appreciating the clean sound. A personal highlight was single Dolls which ended the Leinster duo’s unerring set.
And then came the main event, Will Wiesenfeld, aka Baths, made his understated entrance but couldn’t escape the onslaught of cheers and applause as the crowd refused to let him slip straight into the formalities. He was quite obviously taken aback by the reception. I had actually shared a few words with him during the Solar Bears set and he was as friendly and nice as his music is engaging. There’s always the fear that a solo electronic artist will not offer enough presence to entertain a big crowd but this certainly wasn’t the case last Friday. With Cerulean only accounting for about half of the set the new tunes kept the fans guessing while some nice touches to the established favourites added freshness to the set. Will himself immersed himself into the show hopping, bopping and singing like it was his last ever show. There was also just the right amount of crowd interaction and humour to tie the set together.
Sublime. If you don’t believe me, here’s proof…
When I met Daithi last month he spoke very highly of his friend Flann Mc Morrow (No relation to James Vincent, I asked) The pair had a kind of Postal Service thing going on, sharing and mixing music between Dublin and Galway. ‘This Place’ is the first track the duo have put up on soundcloud. Sounds like Four Tet after a few jagerbombs with wall to wall sound and a penchant for changing direction. More please.
The man behind the gorgeous LP Lucky Shiner will be playing across Ireland in June.
June 8th – Auntie Annie’s, Belfast.
June 9th – Roisin Dubh, Galway.
June 10th – The Pavillion, Cork.
June 11th – the Workman’s Club, Dublin.
What’s my definition of a good night out? Well take my current favourite international act Baths, put him on stage with my favourite Irish act at the moment Solar Bears and we’re on the right track. The Workman’s Club in Dublin plays host to these electronic tricksters on the 29th of April. I’ve got my ticket, get yours at tickets.ie.
One of the best bits of festive cheer to come my way this December is the news that the wonderful Sleigh Bells are coming to Ireland. The experimental rock duo play Dublin’s Whelan’s on February 18th. Tickets are €16.50 plus booking fee. The New York outfit eluded many European festivals this summer their performance was the talk of Primavera 2010.
Cap Pas Cap are a Dublin based electronic-tinged indie outfit. Haunted Light is the band’s first album and was launched on the 13th of November off Skinny Wolves. On Saturday night the Rosin Dubh played host to the Leinster hipsters. They have been quietly raising a few eyebrows in the capital and getting favourable mentions in various blogs, however this failed to attract a reasonable crowd and those who chose to observe did so from a cautious distance leaving the dance floor to the tumbleweeds.
With such a lack of energy to feed off it’s somewhat unsurprising that CPC put on a show that was businesslike and nothing more. Their undeniably funky brand of danceable indie-pop had the desired effect on some of the venues more inebriated clientele as tunes like the infectious single ‘Friends’ were rewarded with the awkward flailing-limb moves they deserve.
Having won over pockets of onlookers with a notably up-tempo opening, the set dipped midway with a series of tracks that failed to make any kind of first impression, sounding rather generic and stale. Loitering between The Ting Tings and Fight Like Apes with a hint of Yeah Yeah Yeahs, Cap Pas Cap are not creating an entirely new or ground-breaking sound, but not every new act needs to be incredibly innovative, what CPC are doing for the most part is creating catchy pop tunes. Not-so-discreet glances and hand signals showed the band is still getting comfortable with some of the songs onstage.
A reversion back to the lively, provided a strong finish to Saturday night’s set with a handful of those impressed queuing up to get their hands on Haunted Light. With a more receptive crowd, a more inspiring stage presence and a removal of filler CPC could become one of the more exciting prospects in Ireland’s ever-growing indie scene.
No room for homegrown acts I’m afraid as this week sees three giants from the US cross the Atlantic:
The National, Olympia Theatre Dublin, Thursday and Friday, sold out
These stylish New Yorkers always put on a show and will be blasting some of the great tunes that feature on their brilliant 2010 album High Violet.
Janelle Monae, Tripod Dublin, Wednesday, €28/€32
Possibly the biggest success story of 2010, Ms. Monae brings her classy brand of soul-R&B/pop to the Tripod. No doubt many of those fortunate to catch her at EP’10 will be in attendance.
Interpol, Olympia Dublin, Monday and Tuesday, sold out
Mixed reviews of Interpol’s latest album, but nothing can deny the quality of what has gone before.