Archive for the ‘Flying Lotus’ Tag
Filed under: Video | Tags: Cosmogramma, Flying Lotus, music video, Zodiac Shit
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Just stumbled across this triptastic visual accompaniment by Adult Swim‘s Lilfuchs for FlyLo’s wonderful Zodiac Shit off the 2010 album Cosmogramma.
Filed under: Music Library Playlist | Tags: Caribou, Chew Lips, Digitalism, Dubstep, Electro, Flirtfm, Flying Lotus, glitch-hop, Gold Panda, Indie, Irish Music, Jessica Hoop, Justice, Nouveaunoise, Onra, radio, Rusko, Sunday Girl, Super Extra Bonus Party, The Xx, Two Door Cinema Club, Why?
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The Music Library is an alternative music show which airs on Flirtfm 101.3, Galway’s alternative student station Monday-Friday between 8 and 9 am. I take charge of the tunes on Mondays.
Onra – The Anthem
Sunday Girl – Stop Hey (Rusko Remix)
The Xx – Shelter (Death to the Throne Remix)
Jessica Hoop – Seeds of Wonder (Killabits Dubstep Remix)
Gold Panda – You
Flying Lotus (Featuring Thundercat) – MmmHmm
Super Extra Bonus Party (Ft. Cadence Weapon) – Radar
Caribou – Kaili
Chew Lips – Karen
Two Door Cinema Club – What You Know
Katy B – Katy on a Mission
Nouveaunoise – Cinnte
Why? – These Few Pesidents
Digitalism – Pogo
Justice – Phantom pt. II
Filed under: Album Review | Tags: Album, Baths, Cerulean, Daedelus, Dubstep, electronic, Flying Lotus, glitch-hop, Lovely Bloodflow, M83, Nosaj Thing
The 14 tracks on Cerulean boast a maturity and musical intuition beyond what can be expected from a 21-year-old. However when we consider that Will Wisenfeld (Baths) has spent the majority of the last decade making music and honing his particular brand of electronic hip-hop, under the name [Post-Foetus], not to mention the ambient venture Geotic, things become somewhat clearer. Like dubstep, glitch-hop has enjoyed a speedy rise in popularity among the online indie community thanks to the work of producers such as Flying Lotus and Daedelus. Throughout Cerulean, Wisenfeld makes his own mark in a genre over-populated by producers trying too hard to stand out. Ironically by adopting a more refined approach Baths has created the genre’s outstanding album.
While others producers maintain a distance with the listener Wisenfeld has harnessed his songwriting skills to add a personal touch to Cerulean. The anthemic ‘Lovely Bloodflow’ possess the features prevalent throughout the album. A simple hip-hop kick-snare lays the foundation for Wisenfeld to build on with clicks and jumpy vocals accompanied by leafy effects to add weight to the lyrics “kick up my shit you wanna, rustle these leaves.” Ponderous as these words may be the sentiment behind the tune is more obvious when the beat lowers to allow Wisenheld proclaim in a high pitched melody “you are my bloodflow.”
Clocking 50 minutes Cerulean may seem a bit imposing but in truth you could double that length and not tire of the album. Wisenfeld has mastered the elusive art of creating a cohesive compilation which flows perfectly from start to finish but avoids the trap sounding repetitive. His command and understanding of instrumentation comes to the fore in ‘♥’ which only introduces an electronic beat after a haunting piano and guitar intro is brought to a halt by Wisenfeld’s ghostly vocals. This is also the most revelatory track dealing with the life he has left behind in his suburban hometown; “Met in the night like it was wrong, laugh at the life left now that we’re gone, I won’t go back, I won’t go back, I love you too much”
Wisenfeld’s greatest achievement on Cerulean is to incorporate so many things without making it sound remotely cramped or forced. The bass gets cranked up in ‘Mximalist’, ‘Mecha Joy’ and the wonderful ‘Indoorsy’ providing a more customary glitch-hop sound synonymous with artists like Flylo and Nosaj Thing. Throughout Cerulean effective use is made of vocals samples, from the M83-esque slow burner ‘Seaside Town’ to the album’s ultimate feel good, danceable number ‘Animals’. ‘Hall’ brings the album to a fitting close projecting a blend of loops, soft vocals and layered effects to give the end as optimistic a feel as ‘Apologetic Shoulderblades’ provided at track 1.
Filed under: Gig Review | Tags: Dubstep, Flying Lotus, Galway, Gig, Mount Kimbie, Nosaj Thing, Onra, Roisin Dubh
When a new band breaks onto the scene and gains instant support the first thing everybody wants to know is what do they sound like…what genre are they? Its part of the logocentric nature of man, we want to be able to point to one single thing and categorise a host of subjects, it’s basic laziness. Its hip-hop, rock and roll, grunge, electro, techno, house, etc. With this one word we try to sum up an entire sound and numerous artists.
What then do we do when an act like Mont Kimbie comes along? Widely regarded as Dubstep this London duo mixes all sorts of ‘genres’ to create a sound all of their own. Dubstep may be the umbrella they have been cast under but last night’s showing in Galway’s Roisin Dubh was more Flylo than Jakwob, more Onra than Benga. Dominic Maker and Kai Campos varied loops and samples with dreamy synths and rocky instrumentation.
A respectable crowd was present to witness the unclassifiable but undeniably brilliant performance from Mount Kimbie. While aspects of their live show bared resemblance to minimal dubstep, in a manner not dissimilar to Skream, most of the set was dominated by beats resembling the fashionable glitch-hop sound made popular thanks to performers like Nosaj Thing. It was refreshing to see the Londoners emerge from behind their laptops and samplers to pick up a guitar and drum sticks and prove that modern electronic artists are not afraid to make music the traditional way.
LastFm offers several ‘genres’ which could all lossely be applied to Mount Kimbie’s sound but instead of playing the genres game, this time why don’t we just listen to the music and decide if we like it. After last nights memorable performance I have to say I love their blend of electo/electromental/ambient/downtempo/chillout/electronica/techno/garage/glitch hop/folktronica/shoegaze…..oh ya and dubstep.